NEWS

April 2009

BrandWeek: Ben & Jerry's Tries New Recipe for Store Design

December 2008

Tesser Announces: IHOP Cafe - The IHOP of the Future

December 2008

Tesser Announces: Launch of TesserWorks Email Newsletter

November 2008

Tesser Announces: Bold New Interior Graphics Package for Cost Plus World Market

October 2008

Burlington Press: Tesser's New Global Design for Ben & Jerrys Unveiled to Rave Reviews

October 2008

Tesser Announces: Wendy's Taps Tesser for Brand Update

July 2008

Tesser Announces: Opening of Dreyer's Grand Ice Cream's New Showcase Store

June 2008

Tesser Announces: New Strategy and Visual Design for Jazzman’s Cafe & Bakery

April 2008

Tesser Announces: New Menuboard System for Jamba Juice

March 2008

Tesser Announces: A Return Engagement for Quiznos

December 2007

QSR Magazine: Dairy Queen Rolls Out New Menuboards

November 2007

CMO Magazine: KFC's New Recipe for Success

November 2007

QSR Magazine: Tesser Awarded 2007 QSR/FPI Foodservice Packaging Award

November 2007

Fortune Small Business: Dressing Up A Sub

June 2007

I.D. Magazine: Counter Culture Fast Food Restaurants are Flirting with High Design

April 2007

Tesser Announces: KFC - Redesigning an American Icon

November 2006

QSR Magazine: Tesser Wins 2006 QSR/FPI Foodservice Packaging Award

May 2006

Daily Candy: Haagen-Dazs Redesign Knocks 'em Cold

January 2006

The Denver Post: Eat Too Many Sandwiches?

December 2005

POP Times: Haagen-Dazs Reformats Brand Shops

November 2005

CMO Magazine: KFC's New Recipe for Success

September 2005

Franchise Times: Art is in the Wallet of the Beholder

May 2005

Tesser Announces: Dairy Queen (DQ) Awards Major Menu Board Design Project

April 2005

Tesser Announces: KFC - Redesigning an American Icon

April 2005

USA Today: Southern, 'finger lickin' Roots Help KFC Revamp

April 2005

Tesser Announces: The Newest Face in Fast Food Today Happens to be One of its Oldest Founders

February 2005

Tesser's Identity Design for Musco Family Olive Co. Published

October 2004

Tesser Announces: Haagen-Dazs Awards Tesser Retail Store Design Project

July 2004

Tesser Announces: Tony Roma's to Develop a New Logo and Tagline

February 2004

Submarina Positions Itself For Growth

February 2004

Yum! Brands Hires Tesser For Creative Design Work

October 2003

Tesser to Design New Store Prototype for Figaro's Pizza

August 2003

Pat & Oscar's Restaurants Hires Tesser

July 2003

Tesser Repositions the Classic Noah's brand for Growth

July 2003

Rubio's mulls expansion of latest design prototype

April 2003

Rubio's Fresh Mexican Grill Creates Powerhouse Creative Team

December 2002

Nation's Restaurant News: Quizno's Sub sails full speed ahead with fast-casual prototype, new look

June 2002

Tesser Launches New Website for Kelty

April 2002

Tesser Launches New Website for Frontier Natural Brands

March 2002

Tesser Designs Next Generation Site for the Colorado Shakespeare Festival

March 2002

Tesser Shines at the 2002 AdMark ADDY Awards

March 2002

Sonora Medical Systems Engages Tesser to Revamp its Sales Material

February 2002

Tesser Goes to the Super Bowl

January 2002

Frontier Natural Products Calls on Tesser to Refresh their Website

September 2001

Tesser Nominated to Receive a Nova Award for Community Involvement

February 2001

Tesser Launches cultureofgiving.org Background Noise Receives First Donation from Web Site

February 2001

Tesser Announces: Tesser Awarded Honors for Restaurant Industry Work

February 2001

Tesser Announces: Tesser Wins Gold Medal at West Coast Show for Chevys Campaign

Click below to find out what's happening at Tesser

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KFC unveils Tesser's new Colonel Logo

April 2005
USA Today article

Working together with San Francisco-based Tesser, Inc., KFC is testing a new logo that signals a shift in the company's strategy of the past 20 years. Scott Bergren, KFC's Chief Marketing Officer, wants to reconnect with what was best about the brand. "When KFC came to us initially, we knew it would be important to keep the brand's heritage intact while updating it for contemporary audiences," says Tre Musco, Tesser's Chief Creative Officer and CEO. "The trick would be to move the brand forward without alienating its loyal consumer base."

Brand equity studies conducted in 2000 made it clear that consumers had lost the sense of authenticity which had made the brand so compelling in the first place. This research showed that 75% of U.S. consumers said they no longer associate the Colonel with the food. They think of him only as a brand "salesman."

Tesser knew that a major function of the redesign would involve returning KFC to its authentic roots while reintroducing the Colonel to a new generation. Older audiences know and love the Colonel, but many young consumers don't know he was a real person" a passionate cook and innovator who not only invented a better way to fry chicken, but who would put on an apron and cook some up for you himself long after he'd become famous.

There was also a real desire to move the brand forward. "Consumers want us to be more relevant," says KFC president Gregg Dedrick. "We need to be more top-of-mind." A successful solution needs to blend both the heritage and relevance aspects of the brand while propelling the brand into the 21st century.

"It was clear that both the Colonel and the bucket had strong positive associations for the consumer base," says Musco. "We knew we'd have to give consumers more cues as to who the Colonel was and what he stood for."

Tesser redesigned the Colonel to appear more youthful, energetic and friendly. "Colonel Sanders was 65 when he started his franchise," says Musco. "But today's 65-year-olds are different than those of 40 years ago; they're keeping active and looking younger longer. We wanted to make him look as if he were 65 today."

Another key change is in what he's wearing: Gone is the trademark white suit. In its place, a red apron puts the Colonel in context for a new generation of consumers. "We wanted to celebrate the chef behind the brand. By putting him in an apron, we're establishing his passion for cooking and "hands-on" attitude towards everything he did," explains Musco. "But we kept the string tie," he laughs. "We knew he just wouldn't be the Colonel without it." The bucket was another key piece of brand equity, and the new KFC signage features the revamped Colonel in an abstracted bucket shape.

The line work here is simple and organic, making it more approachable than the old logo, while a new, more international color palette " with rich reds and warm flesh tones " makes the Colonel appear friendly and inviting.

The result is a bold revitalization of a classic American icon which is instantly recognizable while making it clear that "this is not your grandfather's KFC." Consumer research has been overwhelmingly positive. The new logo seems to be, in the words of Gregg Dedrick, "the essence of KFC." A quote from the 2004 research on the new logo reads, "(Consumers) feel the Colonel, although still elderly, looks younger, thinner and healthier" more contemporary and more of a fit with today...he is friendlier and more approachable." He seems almost, well, "hip." And that suits KFC fine.

View all of Tesser's work for KFC in our Portfolio Section here.

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